![]() ![]() Those out of control bursts of sounds will show up as excessive peaks in the peak spectrum trace but not in the average trace as they occur rather infrequently. Imagine if you will a great recorded part of a vocal that explodes in volume on a couple of notes. The ways you use it will is still the same but it will sound better and have a greater range of possibilities, one of which is stereo’ising mono sources. Har-Bal Air as it is now has been replaced with a more powerful and natural sounding Haas zone ambiance process. So the level of the Side component relative the Mid component gives an indication of the stereo spread of your mix. Our Mid / Side decoding is defined by the following equations: Mid = Left + Right Side = Left – Right You can see that with a mono source Side = 0 as Left = Right. You create a transfer function to map the input average level to a new output average level and Har-Bal uses it to figure out what gain to apply dynamically prior to the limiter at any point in time. The dynamics processing in Har-Bal is based entirely on the average level envelope that you see in the time-line. It does not mean give way to your eyes if your ears tell you everything you need. “Eyes to the ears” is a more realistic slogan that we like. Har-Bal leaves the initial volume level unchanged even after performing spectral correction (EQ changes) thanks to its “loudness compensation” algorithm. Will match your track to the perceived loudness of any commercial recording you input into Har-Bal. ![]()
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